TECHNICAL SPECS Key: C# minor (harmonic flavor) Tempo: 125 BPM Time: 4/4 Beat: Modern pop + tabla hybrid Arrangement map (bars): Intro 8 bars | Verse 16 | Pre-chorus 8 | Chorus 16 | Bridge 8 | Climax repeats (16-24) | Outro 8 bars Instrument motif entries (bar indices): - Intro (bars 1–8): soft pads, flute motif (C# minor), light tabla rolls, reversed piano swells - Verse (bars 9–24): add light kick+rim, subtle violin single-note support - Pre-chorus (bars 25–32): strings swell, sitar-like lead enters - Chorus (bars 33–48): full strings, heavy tabla+dholak, choir “Aahh” layers, flute answers each line - Bridge (bars 49–56): reduce drums, veena/veena-like slides, cinematic reverb on vocals - Climax repeats (bars 57–80): harmonies, layered male+female octaves, crash cymbals, electronic shimmer - Outro (bars 81–88): flute + violin fading, last Sa held long, soft piano ending Performance cues / phrasing notes (per phrase): - General vocal feel: High–low tone with drawl; male moves Soft → Powerful where indicated; female is light & breathy with echo/reverb tails. - Soft → Powerful: Ni — Sa (hold) on “ඒ.... දිනයේ...” (male lead) - Glide: Re → Ga glide on the short lift phrases (apply smooth meend) - Moderate vibrato on “ලියා...” (sustain & moderate vibrato) - Breathy reverb tail on female endings and on repeated phrases - Slides: Use Indian-style slides on phrase joins (e.g., between Ma → Ga → Re) - Ornamentation: tasteful meends and quick grace notes on repeated syllables in choruses HUMMED REFERENCE (8-bar motif / chorus hook) — solfège (sing gently, use slight vibrato on final notes): Bar1: Sa Sa Re | Bar2: Ga Ma Pa | Bar3: Pa Dha Ni | Bar4: Sa — (hold) Bar5: Sa — Ni Dha Pa | Bar6: Ma — (descend) Ga Re Sa | Bar7–8: light ornament Sa Sa Re Ga — (finish) (Use the Male Chorus melody: “Sa Sa Re, Ga Ma Pa” then “Pa Dha Ni — Sa” then “Sa — Ni Dha Pa Ma” as the main hook) === LYRICS — Structured (use these lines exactly as provided) === [Intro - Instrumental] (8 bars: soft pads, Indian flute solo in C# minor, light tabla rolls, reversed piano swells) [Verse 1 - Male] ඒ....දිනයේ... මිහිමේ සදා...කුමක්... දෝ...මෙසේ.. නුබේ.. සිත වසා... Ni — Sa (hold)… Re Ga (glide) මහද..එතුනා..රැකුනා කියා... Ma Ga Sa — Sa Re Re ජිවෙ සෙව්වා මේ පෙම ලියා.... Ma Pa Dha — Ni Sa Sa (hold) Sa — Ni Dha Pa (fast finish) ජිවෙ සෙව්වා මේ පෙම ලියා.... (Repeat same melody as previous line: Ma Pa Dha — Ni Sa Sa (hold) / Sa — Ni Dha Pa (fast finish)) කාසෝගේ ජිවෙ සෙව්වා මේ පෙම ලියා.... (Use same chorus-hook phrasing; build dynamically into next section) [Verse 1 - Female] ඒ....දිනයේ... මිහිමේ සදා...කුමක්... දෝ...මෙසේ.. නුබේ.. සිත වසා... Sa Re Ga — Ga Ma (high feminine) මහද..එතුනා..රැකුනා කියා... Ma Pa Dha — Pa Ma (descending drawl) ජිවෙ.. සෙව්වා..මේ.. පෙම...ලියා.... Ga Ma Pa… (hold) Pa Dha Pa Ma (fall) ජිවෙ...සෙව්වා...මේ පෙම...ලියා.... Ma Ga Sa (soft) කාසෝගේ.... ජිවෙ...සෙව්වා...මේ..පෙම ලියා.... (Keep airy breathy tail and echo reverb) මිදුන....හිම... දියේ... මේ දේපා... Sa — Sa Re Ga (long