Korogocho: Imani na Hatua 2 by Fatuma

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Korogocho: Imani na Hatua 2 by Fatuma - Kiswahili Song,Any (Open) Vocals music cover art

Korogocho: Imani na Hatua 2

Fatuma

Kiswahili Song,Any (Open) Vocals

0:003:31
Lyrics
Description
[Intro]
Korogocho, Korogocho — tupo pamoja
Sauti ya mtaa, midundo ya moyo
(Chant) Korogocho! Korogocho! — Ah!
[Verse 1]
Mtaa umeamka, mwanga unawaka,
Taa za mtaa, usiku hauwezi kuwa giza.
Kisima cha maji kinapiga sauti — maji safi,
Mabomba ya jamii, maji kwa watoto na mama.
Soko limepanda, maduka ya viwango,
Vibarua vinatafutwa, mimba ya biashara inawaka.
Vijana wanapewa nafasi, ajira mtaani,
Skuli ya ufundi, mikono ya vijana inajifunza.
[Chorus] (short chant)
Korogocho! Korogocho!
Turudi! Turudi!
Taa! Maji!
Ajira! Vijana!
Korogocho! Korogocho! (call-response)
[Verse 2]
Tuliweka mtaa wa wakulima, bodi ya soko wazi,
Alama ya mabasi, barabara zimewekwa pasi.
Kliniki ilipanuliwa, dawa zinapatikana,
Walinafanya kazi usiku kuokoa maisha za watu.
Ni kazi ya pamoja, si kitu cha mmoja tu,
Wananchi, walimu, wateja — wote wakashirikiana.
Alikuwa siku moja timu ikaweka bomba la maji,
Sauti ya watoto ikacheka, maji yakaanza kurukaruka.
[Pre-Bridge]
Hakuna kupoteza, hakuna kuacha,
Tumepanda hatua, tuko kwenye mzunguko mpya.
[Bridge]
Pamoja tunajenga, pamoja tunarudisha imani,
Mwake na mwenzake, mkono kwa mkono — tuchangie.
Aneza sherehe ya kila hatua, sikio linasikia,
Korogocho inaimarika, tukiandika hadithi mpya.
[Chorus] (short chant)
Korogocho! Korogocho!
Turudi! Turudi!
Taa! Maji!
Ajira! Vijana!
Korogocho! Korogocho! (call-response)
[Outro]
Tunaimba kwa sauti, kwa midundo ya mtaa,
Hii ni kazi yetu, sherehe ya kila siku.
Korogocho! Korogocho! — tukutane kwa hatua,
Mbele ni mwanga, moyo ni ngoma, mikono imeungana.
[Production notes]
Beat: Perussive, mid-tempo (90–100 BPM) with local percussion (ngoma, shakers), bass kick on 1 & 3.
Arrangement: Tight call-and-response ad-libs after each chorus line; chant tag “Korogocho! Korogocho!” for crowd participation.
Vocal style: Raw, slightly raspy lead; layered harmonies on the chorus; short staccato delivery in verses for strong cadence.
Suggested outro: Build to a capella chant, then drop instruments back in for a final percussive hit.