[Verse 1] Hontahta keldi — ko‘chaga fayz keldi Katta-kichik hontahta, bariga joy keldi Sori keldi — sorilar jam bo‘ldi Mahalla kulib, yuraklar ham shod bo‘ldi [Chorus ] Qaynayapti qozon, tutun osmonga Ta’mli hidlar taraladi har tomonga Keldi-keldi hontahtalar keldi Yalama tuz, osh tuzlari keldi [Verse 2] Keldi-keldi, baraka keldi Hontahta bilan quvonch keldi Sori keldi — mehmonlar keldi Qari-yosh bir joyga jam bo‘ldi [Chorus ] Yalama tuz, oshga maza Birlik bo‘lsa — hayotda rohat, lazzat Keldi-keldi hontahtalar keldi Yalama tuz, osh tuzlari keldi [Bridge ] Hontahta… hontahta… Baraka keldi, baraka… [Final Chorus ] Keldi-keldi, baraka keldi Hontahta bilan quvonch keldi Sori keldi — mehmonlar keldi Qari-yosh bir joyga jam bo‘ldi [Notes] - Voice: Children’s male voice (young boy) — playful, joyful, clear pronunciation; optional small children’s chorus on refrains for call-and-response energy. - Tempo: Medium-fast (approx. 110–120 BPM). - Rhythm/feel: Upbeat Uzbek folk-pop with a driving doira groove (accented 2-and/4); light hand percussion for dynamics. - Instrumentation: Doira (main rhythm), soft nay (flute) for intro/bridges/fills, dutar or saz for harmonic color, light bass and acoustic guitar for support, subtle backing vocals (children) on choruses. - Arrangement ideas: Intro (short nay motif) → Verse 1 → Chorus (add short vocal hook) → Verse 2 → Chorus → Bridge (call/response with children’s backing) → Final Chorus repeat x2 with bright doira breakdown and gentle fade. - Pronunciation/orthography: Kept consistent with original lines (ko‘chaga, Ta’mli, sorilar, etc.). - Optional outro (present only if you approve): short instrumental nay + repeated soft whisper of “Baraka keldi” fading out.