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Bassline of Goodbyes 2 by Jovencio

SongGPT
Bassline of Goodbyes 2 by Jovencio - rock,male vocals music cover art

Bassline of Goodbyes 2

rock,male vocals

0:003:47
Lyrics
Description
[Intro: Heavy bass groove — syncopated root–fifth motif]
(Bass motif to program: ROOT — fifth — ROOT — rest; palm-muted low E, syncopated, pulse at 90 BPM)
Feel the low-note thump, the city breathes in time
A root–fifth heartbeat—shadowed, sharp, and prime
[Verse 1: Catchy male vocal — tight meter]
Cracked taillight paints a scar across the street (10)
Spilled coffee rings where your fingers used to meet (11)
Seatbelt clicked and stayed when the night bent low (10)
Your laugh dents the glass; its map I cannot know (11)
[Pre-Chorus: Bass and drums driving — keep tight]
Bass, root-to-fifth—hungry, syncopated thud (11)
Drums carve the space where your footsteps used to land (10)
[Chorus 1: Hook — punchy, repeatable (full band entry)]
Low Bass Goodbye (4)
You left the rhythm of my nights (8)
Low Bass Goodbye (4)
You left the rhythm of my nights (8)
(vocal tag: ah—ah)
[Verse 2: Deeper narrative details]
License plate bent—our initials still hold (10)
Lipstick smear on the glovebox, a cigarette ash cold (12)
You hummed in minor keys; now silence suits the car (11)
Guitar waits after chorus—let it cry, loud and far (11)
[Pre-Chorus: repeat, tightened]
Bass, root-to-fifth—hungry, syncopated thud (11)
Drums carve the space where your footsteps used to land (10)
[Chorus 2: STRIPPED — bass + vocal only (makes hook stick)]
Low Bass Goodbye (4)
You left the rhythm of my nights (8)
(vocal tag: ah—ah) [leave space for bass motif to breathe]
[Guitar Solo: After Chorus — electric answer]
(Trigger full-band swell after two bars; guitar answers the bass motif with vocal-like bends — let notes cry over the ROOT–FIFTH loop)
[Bridge: Slower, raw — lyrical specificity + bass call-outs]
I count your name in low notes—root, fifth, then the space (11)
A cracked front bumper, a ticket stub folded like faith (11)
Daisies on the dash, petals browned like yesterday (11)
The bass repeats your absence—thump, rest—then it says your name (12)
[Chorus 3: FULL CREST — vary line two with fresh image]
Low Bass Goodbye (4)
You left the rhythm of my nights, and stole the hush from passing trains (13)
Low Bass Goodbye (4)
You left the rhythm of my nights, your shadow on the lane (10)
(vocal tag: ah—ah — ooh)
[Post-Chorus Tag: short melodic hook after each chorus — memorable motif]
(Lead vocal: “Low—low” — two-note descending tag, call-and-response with bass)
[Outro: Bass fading, guitar soft — bittersweet close]
Bassline eases to a heartbeat under empty seats (11)
Guitar answers once more—bends dissolve into the street (11)
Low Bass Goodbye—hold the echo in my chest (9)
Low Bass Goodbye—drive me out and leave me blessed (9)
[Production Notes: arrangement highlights]
- Intro: program syncopated root–fifth motif (low E string: E—B—E—rest) with slight delay on the fifth.
- Chorus 1: full band; chorus 2: strip to bass+lead vocal; chorus 3: full-band with harmonized backing “ah”s.
- Guitar solo should sit over the chorus progression, using long bends and harmonics tha